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		<title>Claude Monet Claude Monet: Portrait of Père Paul An Esbat of Surface Effect and Colour</title>
		<link>https://markgrago.com/claude-monet-claude-monet-portrait-of-pere-paul-an-esbat-of-surface-effect-and-colour/</link>
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		<dc:creator><![CDATA[Mark Grago]]></dc:creator>
		<pubDate>Thu, 02 May 2024 17:04:56 +0000</pubDate>
				<category><![CDATA[Uncategorized]]></category>
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					<description><![CDATA[<p>&#160; When it comes to color, Monet was never influenced by prejudice or spontaneity. He always knew, after careful exploration and experimentation, exactly what he was after. Free spiriting, audacious color levels, and bold imagery predominantly figured in Monet’s later works. The behind-scenes-theme captured in this painting is Monet’s cosmopolitan of light and mood. Here, &#8230; </p>
<p>The post <a href="https://markgrago.com/claude-monet-claude-monet-portrait-of-pere-paul-an-esbat-of-surface-effect-and-colour/">Claude Monet Claude Monet: Portrait of Père Paul An Esbat of Surface Effect and Colour</a> appeared first on <a href="https://markgrago.com">MARKGRAGO.COM ✍🏻</a>.</p>
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